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Raw linen as the ground — sandy ochre, the colour of riverbed and dried grass. A wide sweep of blue-grey moving across the composition with the authority of water that knows where it is going, edged in gold where the light catches the surface. A single dark tendril of Moreton Bay Fig standing vertical against all that horizontal movement, and the looping net marks scattered through the midground — cool, luminous, spacious. This is a painting about the way our landscapes hold us, and shape everything we build within them.
The original was created with oil paints and beeswax on Belgian linen — the layering of paint and the texture of the natural linen carry through beautifully into every print. The work began as an investigation into Brisbane's river: the memory it holds, the landscape it shaped, the structures that grew around it. Since 2018, Dr Sarah Daly has used generative AI as a lens — a dialogue between artist and machine about what pattern reveals when it is all you allow yourself to see.
Part of the AERIAL Designer Print Series — created for interiors that want a genuine connection to the outside world. The palette of linen, gold, blue-grey and olive brings the materiality of the natural landscape directly into a curated space, sitting beautifully in coastal, organic and contemporary schemes. Each of the four prints is a crop of the one original painting, cohesive enough to specify as a set, resolved enough to stand alone. For designers building interiors with emotional weight, this series gives a room something to say.
The Print Archival matte canvas. Epson UltraChrome inks, Epson P20070 printer. Colour-stable for 200+ years indoors. Printed and fulfilled in Queensland by Leftbank — one of Australia's leading fine art print studios.
The Frame Shadow box. The canvas floats inside the frame for a clean gallery finish.
Smooth Black — monochrome, contemporary, minimal interiors
Raw Oak — organic, coastal, warm residential schemes
Frame included. Ready to hang. Free drop-shipping in Australia.
Raw linen as the ground — sandy ochre, the colour of riverbed and dried grass. A wide sweep of blue-grey moving across the composition with the authority of water that knows where it is going, edged in gold where the light catches the surface. A single dark tendril of Moreton Bay Fig standing vertical against all that horizontal movement, and the looping net marks scattered through the midground — cool, luminous, spacious. This is a painting about the way our landscapes hold us, and shape everything we build within them.
The original was created with oil paints and beeswax on Belgian linen — the layering of paint and the texture of the natural linen carry through beautifully into every print. The work began as an investigation into Brisbane's river: the memory it holds, the landscape it shaped, the structures that grew around it. Since 2018, Dr Sarah Daly has used generative AI as a lens — a dialogue between artist and machine about what pattern reveals when it is all you allow yourself to see.
Part of the AERIAL Designer Print Series — created for interiors that want a genuine connection to the outside world. The palette of linen, gold, blue-grey and olive brings the materiality of the natural landscape directly into a curated space, sitting beautifully in coastal, organic and contemporary schemes. Each of the four prints is a crop of the one original painting, cohesive enough to specify as a set, resolved enough to stand alone. For designers building interiors with emotional weight, this series gives a room something to say.
The Print Archival matte canvas. Epson UltraChrome inks, Epson P20070 printer. Colour-stable for 200+ years indoors. Printed and fulfilled in Queensland by Leftbank — one of Australia's leading fine art print studios.
The Frame Shadow box. The canvas floats inside the frame for a clean gallery finish.
Smooth Black — monochrome, contemporary, minimal interiors
Raw Oak — organic, coastal, warm residential schemes
Frame included. Ready to hang. Free drop-shipping in Australia.